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Davido sues baby mama for child custody

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Nigeria’s Afrobeats sensation, David Adeleke, popularly known as Davido, has dragged one of his baby-mamas, Sophia Momodu, the mother of his first child, Imade, to court, seeking custody of their daughter.

In the suit marked LD/1587PMC/2024, filed at the Lagos State High Court on his behalf by his lawyers, Dr Olaniyi Arije and Okey Barrah, the multiple award winner is seeking, among other prayers for an order granting joint custody of the child.

In the alternative, the singer prayed to the court for “an order granting to the applicant unfettered and unrestricted access to Miss Imade.”

The originating motion was supported by a 44-paragraph affidavit deposed to by Davido himself.

Davido narrated that though he had a relationship with Momodu that led to the birth of their child on May 14, 2015, the relationship had ended some years ago “while we resolved to take care of our child as biological father and mother.”

“That it is on record that I have been responsible for the payment of all the school fees of my daughter to provide her with the best education possible and to meet all her educational needs without a hitch,” the “Unavoidable” singer said.

Continuing, the summons said:

“That I have also been providing money for the rent of the apartment where the respondent resides with our daughter.”

He added that as a result of the love he had for Imade, he purchased and offered the mother a N200m worth apartment in a condominium gated community with a swimming pool and 24-hour power and water supply at Oniru, Victoria Island, Lagos. An offer he claimed was turned down.

“The respondent rejected the offer to stay and live at the above-described secured Oniru apartment, which had been purchased already, but demanded that I continue to pay N5,000,000 annually for a rented facility as my own contribution towards my daughter’s accommodation.

“I bought a Range Rover Sport Utility Vehicle for the use of the child and the respondent to meet the transport needs, including transportation of the child to and from school, etc.”

He however, stated that sometime last year, he received a call from her daughter’s school that Imade had been absent for two weeks, and upon his inquiry from Momodu, “She began to make excuses and complained that the Range Rover SUV was not in a good condition, however, she refused to inform me about that.”

“That sequel to the information about the said condition of the vehicle, I provided another vehicle, Highlander SUV, and in addition, the sum of N5.8m as requested by her for the repair of the Range Rover SUV, making it two vehicles in the custody and use of the respondent and our daughter.”

“I also made commitments to pay for living expenses, the fees of the nanny to our child, provide medical and health care, insurance, periodic international travel expenses and tickets.

“That notwithstanding my efforts in the overall interest of my daughter, the respondent has continued to make outlandish and Utopian demands to frustrate me.”

Davido also listed other demands allegedly made by Momodu.

“The respondent, among others, is demanding that I should pay the nanny she hired the sum of $800 per month, and that the total sum of $19,600 per annum be paid as a lump sum.”

He further claimed that despite his contribution towards ensuring a better life for their daughter, “the respondent has continued to show me unwarranted cruelty, inflicting so much pain on me.”

Culture

Jesus never raised the dead nor healed the sick, Ghanaian actor Majid says

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Jesus never raised the dead nor healed the sick, Ghanaian actor Majid say

Veteran Ghanaian actor, Majid Michel, has raised a storm after stating that Jesus Christ did not raise the dead or healed the sick during his earthly ministry.

The thespian-turned-pastor, who made the assertion in a thought-provoking sermon about Christianity, said contrary to widely held beliefs, Jesus Christ neither personally healed any sick person nor raised the dead, despite these acts being credited to him in biblical teachings.

Michel, who cited some of the known miracles attributed to Jesus Christ, said:

“Do you know Jesus never healed the sick nor raised the dead? Jesus never let the blind see.

“Do you know what Jesus said? ‘I do nothing by myself. As I see the Father do, I do.’ In other words, I am Jesus, I have a will, but I will not use my will; only the will of my Father I came to do,” he said.

Going further to buttress his points, the multiple award winning actor said:

“If the devil had gotten Jesus to turn that stone to bread without asking his Father’s permission, he had gotten him to sin and that is what you call sin—separation from God, independence from God.

“When you throw your own plans and make your own decisions without consulting the Father, you have sinned.”

The “Crime To Christ” actor also emphasized that the Christian religion, Islamic religion, and other religions are actually some of the world’s biggest problems, noting that all religions have a history of perpetrating violence and some inhumane acts, and suggested that people should distance themselves from being religious.

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Culture

Ghanaian music producer wins $250k in copyright damages against CAF

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A Ghanaian music producer, Kwabena Ofei-Kwadey Nkrumah, also known as Spiky, has won $250,000 and legal costs of GH¢40,000 against the Confederation of African Football (CAF) after he sued the football governing body for intellectual property rights violations.

Nkrumah had dragged CAF to the Commercial Court 7 in Accra for not seeking permission from him before using the beat of his music titled, ‘Okomfo Anokye,’ as part of promotional materials for the 2018 CAF awards.

While delivering judgement in the case on Wednesday, Justice Emmanuel Loddoh who presided over the case found CAF guilty of failing to obtain legal permission before using Nkrumah’s music.

Nkrumah who spoke after the verdict went in his favour, said CAF’s act of using his song without permission was a total disrespect for his intellectual property rights, causing him to lose money from any licensing of his music for commercial use.

Before instituting the lawsuit, Spiky had called out CAF in 2029 for copyright infringement in a series of tweets.

He had noted that even though CAF had sent an email admitting to using his work without his consent and had apologised, they did not reply to him when he made a demand for compensation.

“This is a win for the creative industry: CAF vs Spiky’s,” he wrote on social media.

While admitting to the offence, CAF said the musical work was “available online for free download without any restrictions or conditions, to use for the artwork posted on CAF’s social media platforms.”

They however, denied using the soundtrack for commercial purposes, citing that the CAF Awards was not a profit-making venture.

They further explained that they had deleted the work from their social media accounts and apologised to Spiky.

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