Culture

Cameroonian ‘mourning’ music, Mbolé, gradually getting nationwide acceptance

Published

2 years ago

January 17, 2023

The Cameroonian “mourning” music, Mbolé, which began as a form of song chanted at funeral wakes or during interments to comfort mourners, is gradually becoming a part of Cameroon’s cultural mainstream music, and a powerful form of expression for its frustrated youth.

According to one of the earliest exponent of Mbolé music, Lionel Malongo Belinga, who performs under the name of Petit Malo, the development of the music genre has come a long way from over a quarter of a century ago in poor districts of Yaounde, the central African nation’s capital.

“Mbolé music began as a sort of back-and-forth at funeral vigils between a chanter, who would devise lyrics and sing them, and responders, who sang the lyrics back and provided rhythm using buckets, saucepans or other implements,” Belinga told an audience in Yaounde on Tuesday.

“At the start, mbole was stigmatised – people looked on it as gutter music but beneath the image, it was adaptable and it soon won people over. You would invite people around, you formed a circle, and you started to play to keep people entertained,” he said.

From the humble beginning, Mbolé has spread to weddings and baptisms and other ceremonies, progressively becoming more sophisticated as instruments such as keyboards and the big West African drum known as the Djembe, were brought in, Belinga said.

“Around six years ago, Mbolé started to go mainstream, and it is now feted as a national music genre. There’s no TV or radio station which doesn’t have Mbole.

“Mbolé is the grandson of bikutsi and the nephew of makossa, but when you hear it, you feel immediately Cameroonian.

“We have Afro-beat, which came from Nigeria, but when you listen to Mbolé, you hear all the sounds of Cameroon,” he said.

Related Topics:Cameroon Entertainment Featured Mbole Music

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Culture

DRC authorities arrest six over break-in at Lumumba’s Mausoleum

Published

1 day ago

November 21, 2024

Isaac Dachen

Police in the Democratic Republic of Congo (DRC) say six people have been arrested over a break-in and vandalism at the mausoleum of the country’s assassinated independence leader, Patrice Lumumba, in Kinshasa, the country’s capital.

The police had announced the six arrests late Wednesday and said they were still looking for two more suspects.

Interior Minister, Jacquemin Shabani, said in a statement that during the break-in which occurred on Monday, a case containing a single gold-capped tooth, the only part of the former leader that remained after his assassination, was broken by the vandals.

“We assure that the relic is secure and it is protected,” the minister said, without offering more information.

The return of Lumumba’s tooth from former colonizer Belgium in 2022 had been celebrated around Congo, with the tooth taken around the vast country so people could pay their respects.

Lumumba is widely hailed as the nationalist activist who helped end colonial rule in the DRC and went on to become the country’s first prime minister and was seen as one of Africa’s most promising new leaders, but he was assassinated within a year in 1961.

His body was dismembered and dissolved with acid in an apparent effort to keep any grave from becoming a pilgrimage site.

For many in Congo, Lumumba is a symbol of the positive developments the country could have achieved after its independence but instead, it became mired in decades of dictatorship that drained its vast mineral riches.

A military coup toppled Lumumba, who was arrested, jailed and later killed. His assassination, blamed on separatists, cleared the way for the rise of Mobutu Sese Seko, who ruled the country he later renamed Zaire for decades with support from Western powers until his death in 1997.

His one remaining tooth was kept by the Belgian police commissioner who oversaw the destruction of his body.

The tooth was returned to Congo after the visit of Belgium’s King Philippe, who expressed regrets for his nation’s abuses in Congo when it was a Belgian colony.

Culture

Miss SA opens up on why she withdrew from Miss Universe pageant

Published

2 days ago

November 20, 2024

Isaac Dachen

Reigning Miss South Africa 2024, Mia le Roux, has opened up on the reasons behind her withdrawal from the Miss Universe pageant which was held in Mexico, where Nigeria’s Chidinma Adetshina was the first runner-up.

While narrating her experience in a video she shared on social media on Wednesday, le Roux said her body was taking so much physical strain.

“Hello everyone, I’m back in South Africa and wanted to reach out to you all. Thank you so much for all of your kind wishes, your support and prayers,” she said in the video.

“I wanted to be transparent with you and share my story. A lot of you would’ve seen the video that I made about vertigo, while I was in Mexico at Miss Universe.

“Vertigo is a condition where it feels like you are dizzy and there’s a sense of the world spinning around you. It’s very intense and can cause major issues with your imbalance.

“Mentally I was very strong, I was ready, but physically, my body was taking strain. I had to even seek medical help in Mexico City. And even after the medical help, my condition still wasn’t improving.”

She added that during the preliminary rounds of Miss Universe, she had continued to push herself but her vertigo intensified and it became unmanageable.

She stated that while she was waiting backstage, she fell repeatedly and couldn’t stand up without support and was not in a position to safely walk on stage.

“It was not easy. As I was not doing it just for myself but for all of you in South Africa,” she said.

“I will continue to serve as your Miss South Africa, to support and uplift those who come after me. With my unbreakable spirit and an exciting year ahead, I will keep fighting for myself and for everyone with dreams and passions. I am so proud to still be your Miss South Africa,” she added.