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MohBad: Police name prime suspects in death of Nigerian musician

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The Lagos State Command of the Nigeria Police Force has named prime suspects who are believed to have played different roles in the death of late Afropop star, Ilerioluwa Oladimeji Aloba, popularly known as MohBad.

The State Police Commissioner, Idowu Owohunwa, who disclosed this during a press conference on Friday, said in the ongoing investigation into the singer’s demise, the police had identified and quizzed 26 people, while five suspects had so far been identified, arrested, detained and interrogated on their alleged roles in the sequence of events that led to the singer’s death.

According to the Police Commissioner, the prime suspects include an auxiliary nurse, Feyisayo Ogedengbe, who allegedly administered an injection on the late Mohbad, as well as his close friend, Ibrahim Oluwatosin Owoduni, aka Prime Boy.

The police also mentioned one Ayobami Sodiq, aka Spending, as being complicit in the homicide case for allegedly inviting Ogedengbe, an unqualified and unregistered nurse, to treat Mohbad.

The police also added that there was evidence linking popular musician, Azeez Fashola, alias Naira Marley, and Sam Larry with cyberbullying, physical abuse, a threat to life, and assault against the late Mohbad.

‘’The chain of events that directly and specifically led to the death of Ilerioluwa Oladimeji Aloba (Mohbad) occurred between 10th – 13th September, 2023 and the locations of incidents stretched over Ikorodu and Lekki in Lagos State,” Owohunwa said during the press briefing.

“Miss Feyisayo Ogedengbe is the auxiliary nurse who was contacted and invited by Ayobami Sadiq, aka Spending, a friend of Mohbad, on September 11, 2023, to treat the singer at the deceased’s residence at Lekki-Lagos.

“She eventually came on Tuesday, September 12, 2023, and administered three different injections, which are believed to have occasioned the chain of reactions that directly resulted in the death of the singer. She is the principal suspect in the death of Mohbad.

“She acknowledged that it was the injections she administered on the deceased that triggered the reactions, which eventually led to Mohbad’s death. Other expert opinions and witness statements corroborated her admittance.

“Her actions of administering doses of Tetanus Toxoid, Paracetamol (IV) and Ceftriaxone injection (IV) on Mohbad at his residence on September 12, 2023, immediately and directly triggered the reactions (including vomiting, goose bumps, convulsion) that eventually resulted in the singer’s death.

“This criminal liability is further heightened granted the evidential fact that as an auxiliary nurse, she is not qualified to administer such medications or function as a qualified nurse.

“She also did this in a non-clinical environment and in a professionally negligent manner that negated standard medical protocols”, he said.

Speaking further, the Police Commissioner said:

‘’Ibrahim Oluwatosin Owoduni (Prime Boy) is also considered as complicit in the chain of events that led to the eventual death of Mohbad as the injury that culminated in actions which led to his death was sustained in the course of physical combat between him and Mohbad

‘’Ayobami Sodiq (Spending), is also considered complicit in the homicide case for inviting Feyisayo Ogedengbe whom he knew to be an unqualified and unregistered nurse to administer the potent medications that eventually triggered reactions leading to Mohbad’s death.

“While Naira Marley and Sam Larry denied allegations of criminal liability in the death of Mohbad and pleaded an alibi to justify their not being complicit in the incident that occurred between September 10 and 12, 2023, there are ample electronic and credible witness pieces of evidence linking them to cyberbullying, a threat to life, assault occasioning harm, and conduct likely to cause a breach of the peace against the deceased in his lifetime.”

The CP also noted that files concerning the investigation had been sent to the Directorate of Public Prosecutions for legal advice.

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Ghanaians celebrate return of Asante Gold artefacts looted by British

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Ghanaians, especially those from the ancient Asante region, have been in joyous mood as they flocked to the Manhyia Palace Museum in Kumasi, the capital of the region, to welcome the 32 golden artefacts which were returned to the Kingdom in a loan deal by the United Kingdom after they were looted about 150 years ago.

The agreement to loan back the artefacts to their original owners for an initial period of three years was reached between two British museums, the Victoria & Albert Museum (V&A) and British Museum, and the Asante King, Otumfuo Osei Tutu II, with a possible of further extending the loan period.

The returned precious items have been on display at palace museum since they were returned and have been a source of joy for the people as they troop in daily to see and have a feel of their ancient history.

The return of the artefacts also coincides with the silver jubilee celebration of the Asantehene.

Some of the items, described by as “Ghana’s crown jewels” were looted during the Anglo-Ashanti wars of the 19th Century, including the famous Sargrenti War of 1874.

Among the returned artefacts are the sword of state, gold peace pipe and gold badges worn by officials charged with cleansing the soul of the king.

Other items like the gold harp (Sankuo) which were given to a British diplomat in 1817.

Otumfuo Osei Tutu II, who spoke on the significance of the returned items, said the dignity of the Kingdom has been restored.

“This is a day for Asante. A day for the Black African continent. The spirit we share is back.

“We acknowledge the very painful history surrounding the acquisition of these objects.

“These treasures have borne witness to triumph and trials of the great kingdom and their return to Kumasi is testament to the power of cultural exchange and reconciliation,” the King added.

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South African Jazz great Abdullah Ibrahim to embark on world tour at age 90

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Renowned South African jazz master and pianist, Abdullah Ibrahim, is set to embark on an unprecedented world tour to celebrate his extraordinary career which has spanned more than seven decades, as well as celebrate his 90th birthday which comes up on October 9.

Ibrahim’s management team which announced the planned tour on Wednesday, said the tour will also be marked with Ibrahim’s 90th birthday which will also showcase his dexterity as a jazz musician.

Music writer, Christine Lucia, who has followed Ibrahim’s career for more than 30 years and has studied the iconic star’s work as well as published research articlesabout him, said the planned tour was a way of letting the world have a feel of him in his twilight years.

A profile of the distinguished pianist reveals that he was born on 9 October 1934 in Cape Town.

Ibrahim grew up in Cape Town’s District Six and his compositions are characterized by his upbringing and his experiences with racism and political upheaval.

His music has evolved over seven decades, reflecting social change and personal introspection.

Ibrahim is the finest jazz pianist-composer that South Africa has ever produced and has been described as the country’s equivalent of the US jazz star, Duke Ellington, because his “legacy lies not only in his live performances or multiple recordings but also in his large number of compositions.”

“He was brought up going by the name Dollar Brand and was shaped personally by his mixed-race parentage and by growing up in the mixed-race area of central Cape Town formerly known as District Six,” Lucia wrote about the star.

“He was shaped by the violent political landscape of racism and oppression. As a young man he was also shaped by his conversion to Islam in 1968, which is when he took the name Abdullah Ibrahim, and by his practice of martial arts and Zen, a form of Buddhism.”

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