One of Democratic Republic of Congo’s biggest music stars, Fally Ipupa has begged his countrymen in the diaspora not to use any of his upcoming shows to stage protests against the government of the country.
The star whose hit track, “Un Coup” where he featured Congolese-French singer, Dadju, has been viewed more than 80 million times on YouTube, with his live performances attracting thousands of fans, made the appeal following a protest at one of his gigs at the Kinshasa’s Stadium of Martyrs last year where 11 people reportedly lost their lives while hundreds of others were injured.
Also in 2020 when he performed in Paris, France, there were riots outside the venue of the event, with protesters setting fire to bins and motorbikes, in a protest the French authorities linked to politics back home.
In the same vein, many Congolese in the diaspora have tried to stop musicians from the troubled African country from performing in Europe in order to show their opposition to politicians back home, accusing the big stars of being too close to power and failing to speak out against abuses happening in DR Congo.
As he prepares for his concerts coming up in December in London, Paris and Brussels, and with elections scheduled to hold back home at the same period, the star has pleaded with the Congolese communities not to use his shows to stage a protest.
“Most of the people know now that I don’t do political things. I am just a musician and they have realised that you cannot punish your child all his life,” he said in an interview with the BBC.
Ipupa said he did have some sympathy for those who boycotted his concerts but felt it was time to move past politics and support DR Congo’s music industry.
“I agree that things were happening politically which were not correct in DR Congo, and I’ve always told them that I agree with certain of the protesters who wanted to get the message across and raise awareness in people.
“But now the time has come to say, look guys, we have punished the artists, we have slowed down Congolese culture, it’s time to show the world that we have very, very strong music,” he enthused.
He also feels that “Congolese music has really suffered, losing its place in Europe to music from Nigeria, Ghana and Jamaica” as a result of political turmoil.
“Nigerian Afrobeats artists are now filling the major venues that Congolese artists used to fill 10 years ago,” he lamented.
But he says he is confident that this can change.
“Congolese music is one of the most beautiful and rich, we have many talented artists, so if our brothers and sisters in Europe say no more blocking of Congolese music in Europe, trust me we’re going to take our place in the world,” he predicts.