The world famous Soweto Theatre, is set to honour and celebrate the legacy of legendary father of South African Black Theater, Gibson Kente, for his immense contribution to the arts industry with a name change.
The renaming of the Soweto Theatre’s “The Red Theatre” to Gibson Kente Theatre Auditorium will come into effect on February 26.
In an itinerary released on Monday by the Chief Executive Officer of the Joburg City Theatres, Xoliswa Nduneni-Ngema, the historical renaming of “The Red Theatre” will include an inaugural annual Gibson Kente Lecture and Gibson Kente curated gallery dedicated to the memory of the world renowned playwright.
“‘We are so delighted with this honour given to this prolific writer and director,” Nduneni-Ngema said.
“His footprints are visible everywhere. There is a litany of stars that were trained by this iconic man of words. He had buckets of generosity, was able to mentor the young and helped so many to hone their voices ” he added.
The honour lined up for Kente according to the itinerary, will include a musical tribute featuring a star-studded line-up of renowned South African performers, Dieketseng Mnisi, Hlengiwe Dlamini and Gugu Shezi.
“They will be accompanied by a 4-piece band directed by music director, arranger, producer and violinist Tshepo Mngoma.
“This musical programme will also feature the Soweto Theatre Youth Orchestra playing some of the finest show-tunes that were composed by “Bra Gib“ and will incorporate selected acts from Kente’s famous plays with more of his popular music.
“This will showcase carefully constructed melodies, spectacular instrumentals and thoroughly constructed lyrics evoking memories of the times and life of ‘Bra Gib’, simply taking us down memory lane,” the press statement on the event reads.
Popularly known as the “Father of Black Theatre”, Kente made township theatre popular and attracted international audiences during the apartheid era, using it as a form of expression during a time when black people were subject to oppression with no human rights.
In the 1960s he started a theatre company and become the founding father of “Township Theatre” where he produced some of his notable work at the time, such as “Manana, The Jazz Prophet”, “Sikalo, How Long – in the 1970s”, which referenced the Soweto Uprising, and a musical in the late 1980s called “Sekunjalo”.
His impact on many black South Africans during apartheid and post-apartheid will always play a crucial role in the country, Nduneni-Ngema said.