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Repentant Germany signs accord to return stolen Nigerian artifacts, Benin Bronzes

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Germany and Nigeria have signed a memorandum of understanding for the return of centuries-old sculptures known as the Benin Bronzes that were taken from Africa in the 19th century.

The memorandum of understanding was signed by German Foreign Minister Annalena Baerbock and Culture Minister Claudia Roth, as well as Nigeria’s Culture Minister Lai Mohammed and Minister of State for Foreign Affairs Zubairo Dada.

The German Foreign Minister admitted “it was wrong to take the bronzes; it was wrong to keep them for 120 years.”

Two pieces of artifacts, a head of a king and a relief slab depicting a king with four attendants were handed over to commemorate the return of the pieces.

 

“This is just the beginning of more than 1,000 pieces from the Kingdom of Benin that are still in German museums, and they all belong to the people of Nigeria,” German Foreign Minister Annalena Baerbock said. “It was wrong to take the bronzes; it was wrong to keep them for 120 years.”

 

The bronzes “are some of Africa’s greatest treasures, but they are also telling the story of colonial violence,” Baerbock said.

African arts litter many museums in Europe and North America. Some of the countries have sought to resolve ownership disputes over objects looted during colonial times.

One of such museums, the Prussian Cultural Heritage Foundation, an authority that oversees many of Berlin’s museums, announced last year that it was beginning formal negotiations on returning pieces that are in its collection.

According to washingtonposthundreds of African artifacts were sold to collections such as the Ethnological Museum in Berlin, which has one of the world’s largest groups of historical objects from the Kingdom of Benin, estimated to include about 530 items, including 440 bronzes. Many of them date from the 16th to the 18th centuries.

Historyextra reports that Benin Bronzes are a collection of more than 3,000 figures and other decorative pieces looted by the British in 1897. The artifacts are housed in at least 161 public and private collections scattered around the world.

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Davido’s ‘Unavailable’ achieves milestone with 100 million views on YouTube, Spotify

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Nigeria’s Afrobeats sensation, David Adeleke, popularly known as Davido, has landed another milestone after his hit single, “Unavailable’, surpassed 100 million streams on both YouTube and Spotify.

According to a release on Wednesday by his management team, the track which features South African artist, Musa Keys, also hit a major milestone as its music video crossed 100 million views on YouTube.

The hit track which was released on April 11, 2023, as part of Davido’s chart-topping album “Timeless”, grew to become the most streamed Afrobeats song of 2023 and received high praise, including being named by Rihanna as her favorite single of the year.

“The single, Unavailable, has also surpassed 100 million streams on Spotify to become Davido’s first single to achieve this feat,” the statement said.

“With the music video surpassing 100 million views, it becomes Davido’s fourth song to surpass the 100 million streams mark following his 2017 hit releases ‘If’, ‘Fall’, and ‘FIA’.

“Following the success of Unavailable, Davido released a remix EP that includes collaborations with Jamaican Dancehall star Sean Paul and American rapper Latto.

“Described by Rihanna as her favourite single of 2023, Davido’s Unavailable was the most streamed Afrobeats song released in 2023.

“Additionally, the single recently earned a SNEP Gold plaque after reaching 15 million streams in France, cementing its status as a global hit,” it added.

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Cameroon opens museum dedicated to oldest, influential kingdoms

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The Cameroonian government has inaugurated a historical museum which is dedicated to honouring its oldest and most influential kingdoms.

Known as the Royal Bomaun Kings Museum, it was inaugurated on Saturday, April 13, in Foumban, the Bauman Kingdom’s traditional capital, located in the western part of the country.

The edifice which is next to the royal palace of the Bamouns, has been described as an architectural masterpiece, pays homage to the emblem of the Bamoun – a double-headed snake, a spider, and a double-mounted gong, and houses over 10,000 historical artefacts most of whom are century-old objets d’art.

It was inaugurated by King Nabil Mbombo Njoya, the 20th ruler of the Bamouns, alongside Culture Minister, Pierre Ismaël Bidoung Mkpatt.

Foremost Cameroonian historian and anthropologist, Professor Francois Bingono Bingono, who was among the visitors at the opening of the museum, spoke glowingly of the project.

“I was privileged to visit the museum. I can tell you that it is not only the culture of western Cameroon, the culture of the Bamouns that is celebrated inside those walls.

“I recognized the culture of the forest, meaning the culture of the inhabitants of southern Cameroon, a heavily forested region.

“I also recognized the cultures of the regions of East, Centre and South Cameroon. One can also come across the cultural heritage of Loum, of the Hauts-Plateaux department, and that of northern Cameroon.

“This museum is the ideal place for those who wish to go back to their roots or take a deep dive into the culture heritage of Cameroon.

“You can see valuable items inside such as thrones and chairs used by the King. Really anything that has to do with the Bamoun dynasty from the first rulers to the current monarch.

“This is patrimony that is handed down to future generations. For the Bamouns, it represents an achievement and a celebration of their culture. For Cameroonians at large, it is part of their history.”

The Bamoun Kingdom is one of the oldest in sub-saharan Africa with historians dating its creation to the late XIVth century.

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