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Ghana’s first photo festival opens in Accra

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Ghana’s first photo festival has opened in Accra. Beginning September 12, it would last till the 21st of the same month.

“We do not need to specifically just focus on changing stereotypes of what being African is through our visual storytelling; I think that’s an additional burden that other artists from other continents are not expected to subscribe to. I do think that through our visual storytelling, whatever theme we choose, and the quality of our work, we already do so much to challenge external perceptions of the African continent,” says Ngadi Smart, one of the image-makers whose work will feature in the exhibition, Foreseen: New Narratives from the African Photojournalism Database.

It’s just one of the shows in the forthcoming Nuku Photo Festival Ghana, the first event of its kind in the country. Featuring exhibitions, a conference, a portfolio review, and networking events, Nuku Photo Festival Ghana aims to “create a space for artistic explorations and exchanges”, according to the festival founder Nii Obodai. “For this first edition, we have curated a diverse programme in cooperation with local and international partners that showcases the works of 40 both established and up-and-coming photographers and visual artists.”

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The Foreseen show gathers work by 13 emerging African visual storytellers, for example, gathered from the African Photojournalism Database – a project of the World Press Photo Foundation and Everyday Africa. “At the core of the APJD is the mission to celebrate refreshing and diverse stories told by photographers often overlooked by the global media industry – stories that are not widely seen in the current, exclusive media landscape,” reads the press for the event.

“Offering reimagined visual narratives from across the African continent, ‘Foreseen’ explores themes such as tradition, religion, identity, history, memory and daily life. This collection of work celebrates a new generation of photographers who are redefining what should be seen, and how, through the stories that matter to them.”

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Culture

Ghana’s Supreme Court dismisses suit challenging anti-LGBT bill

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Ghana’s Supreme Court has dismissed two separate suits challenging the legality of one of the proposed anti-LGBT legislations awaiting assent into law by the president.

The separate suits were filed by two legal practitioners, Amanda Odoi and Richard Sky, challenging the bill, seeking to declare it illegal and prevent the president from signing it.

The two cases had challenged the constitutionality of the Human Sexual Rights and Family Values Bill.

But in a ruling on Wednesday, the Supreme Court unanimously decided to dismiss the legal challenges to the new anti-LGBT legislation that has been criticised by rights groups.

The controversial bill was passed earlier this year by Ghanaian lawmakers with three years imprisonment for people identifying as LGBT and five years for forming or funding LGBT groups.

While dismissing the cases, presiding judge, Justice Avril Lovelace-Johnson, who delivered the ruling on behalf of the seven-member panel, said the cases were premature.

“Until there’s presidential assent, there is no act, the two cases were “unanimously dismissed,” she said.

The ruling is the latest blow to the LGBTQ community in Ghana and paves the way for the president to sign into law what many say is one of Africa’s most restrictive piece of anti-LGBTQ legislation.

President Nana Akufo-Addo, whose term in office ends on 7 January, had delayed signing it pending the outcome of the Supreme Court challenge but the judges said the case could not be reviewed until it had been signed it into law.

It expected that incoming president, John Mahama, will sign the bill into law as he had always expressed his support for the bill during his electioneering campaigns.

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Culture

UNESCO lists Ghana’s Kente cloth as cultural heritage

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The iconic Ghanaian Kente, a piece of clothing, has been recognized as a cultural heritage on UNESCO’s Representative List of Intangible Cultural Heritage of Humanity.

The global recognition, according to the UN body, is coming under the 2003 Convention for Safeguarding Intangible Cultural Heritage highlights the cultural and historical significance of the vibrant, handwoven textile.

In a citation on its website, UNESCO describes the Kente cloth as “originating from Ghana’s Asante and Ewe communities and renowned worldwide for its bold colors, intricate patterns, and deep symbolic meanings, embodying the creativity and identity of the Ghanaian people.”

Ghana’s Tourism Minister, Andrew Egyapa Mercer, described the recognition as a testament to Ghana’s commitment to preserving its cultural heritage.

“This achievement places Ghana at the forefront of global efforts to safeguard and celebrate cultural traditions,” he noted.

In a statement acknowledging the recognition, Mercer said the “Ministry of Tourism, Arts and Culture (MoTAC) expressed gratitude to President Nana Addo Dankwa Akufo-Addo, UNESCO, and the artisans, cultural institutions, and traditional authorities who contributed to this milestone.”

“Special acknowledgement is given to the Bonwire and Agotime communities for their enduring role as custodians of the craft.

“As Ghana celebrates this historic moment, MoTAC reaffirms its dedication to promoting and preserving the nation’s rich cultural legacy.”

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